Fragments of Darkness Cover Reveal

It's been a while. A long while. The second half of last year was rough, career-wise. But 2017 is a whole new animal. To prove it I can finally share something bookishly exciting, the cover for Fragments of Darkness, an anthology of thrilling stories. I'm beyond thrilled to be working with nine amazingly talented authors. 

Ready?

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Fragments of Darkness

An Anthology of Thrilling Stories

release date: September 13, 2017

From between the cracks of imagination, among the splinters of the unknown, and upon the winds of mystery, lurk the Fragments of Darkness.

With legends of killer mermaids to tales of Civil War era ghosts, ten passionate story-tellers come together to bring you yarns of fantasy, paranormal, and chills and thrills that will entertain, intrigue, and enchant young adult and new adult readers.

Lisa M. Basso -- Heart and Bone

C.L. Campbell -- Reckoner

Dorothy Dreyer -- Under the Surface 

Pat Esden -- Black as a Dark Moon, Scarlet as Sumac 

E.M. Fitch -- Between Shadows

R.A. Gates -- The Collector

Jessica Gunn -- The Ghost

Debra Jess -- Blood & Armor

Melanie McFarlane -- The Transgressions of Faithe Eileen 

Daphne René -- Story of the Unknown Soldier

Goodreads link: https://www.goodreads.com/book/show/34103708-fragments-of-darkness           

Beautiful, right? 

Next, the full jacket. 

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 You guys, I just can't even right now. 

*deep breaths*

Preorders for this deliciously creepy book will be available in the summer, for both ebook and print! We will be doing Goodreads giveaways in future as well, so add the book to your to-read shelf and keep an eye out.

Feel free to share the spooktacular cover and blurb anywhere you wish along with the hashtag #FODAnthology

Thanks so much for stopping by. I'll be posting again soon with more information on my contribution to the anthology, Heart and Bone.

Know When to Hold 'em, Know When to Fold 'em

Okay, so we've all heard that song, am I right? I mean, even an insurance company has a pretty funny commercial about it.

But this post isn't about the commercial, or even the song, really. This post is about when to walk away.

In between edits for a certain book I've been picking at, I have been working on rewriting a YA Fantasy I had in my "unfinished projects" drawer. It's basically a drawer where I keep my projects not yet ready for the real world. I was full of hope and moxie when I pulled that pile of papers from the drawer and let the light in. And I worked on it for around six months, give or take.

I must have re-read the book six to eight times in the last few months. There are some really great scenes and character breakthroughs in it, but on my last read, I discovered I was bored. Yes, bored. With my own book. It's the greatest fear of any writer.

Note: if you, the author, is bored, imagine how the readers will feel.

Wracking my brain to come up with a solution that wouldn't take another six months, I realized I needed a pair of fresh eyes on my book. Luckily, I have the best beta reader (and friend) who took the weekend to read it over and gave me her notes.

Now, I was expecting the worst, even asking my beta friend if I should scrap the book entirely. 

The weekend was over. The email pinged in my inbox. It was as I feared. My YA Fantasy was overworked, weighed down and stale. Her recommendation was to put it aside, get some distance, work on something else, and come back to it later, if I wanted.

As much as I had been expecting my world to completely crumble with sorrow and despair, I didn't. Yes, I may have shed a tear or two, even went through the bargaining stage of grief, but in the end, I took a day to come to grips with putting my precious (said in my best Golem voice) YA Fantasy to bed. It was a long day filled with too many unhealthy snacks, an even more unhealthy dose of Sex and The City reruns (I regret nothing), and rifling through my many "promising projects" folders and notebooks. It was a hard day, emotionally, but today I woke with a renewed sense of wonder and possibilities. And a plan.

Last year I wanted to have a completed book ready to submit to agents by the beginning of 2015. Things don't always work out the way we hope. The more I grow as a person (and an author), I've come to realize that we can't always control the outcome. Lately, I've become a more "rolling with the punches" person. Which I so didn't used to be. Part of rolling with the punches is not being stagnant or living in the past. I refuse to spend the next month stewing about how my YA Fantasy didn't work out.

Today I have rekindled a new romance with a YA sci-fi idea I've had for a while. Since I'm expecting things around my house to change drastically in the next month and a half (more on that later), I've also decided not to spend a bunch of time plotting this book. Well, not really. I have ideas, but nothing concrete. So, I'm tackling sci-fi and I'm doing it by the seat of my pants.

Time is ticking. I have a new book to write. I'm hoping it will be ready for editing by the beginning of April, but who knows?

Trying something different is the best way to broaden your horizons. Really, it's the best slump-buster that I've found. What are some of your favorite ways to pull yourself out of a bad time? Have any of you ever dealt with having to put a project aside for one reason or another? You know how I love to hear from guys. :)

Why a Book Boyfriend is so Important

Hello lovelies!

In the last two weeks I wrote about writing, plotting, and the like, so I figured today would be about fun. And what's more fun than falling in love?

The heart palpataions, the nervous sweat, the trying-to-be-sexy that sometimes looks to most of the world like you're having a slow moment, and the pitter-patter of tiny bird wings as they hold up a string of roses in the shape of a heart around the face you've fallen for. There's nothing better than love, I tell ya!

Whether they lift you up or bring you down (temporarily, or course, I'm only promoting HEALTHY relationships here--even in fiction, healthy relationships are key) these boys are necessary. In real life, if your single, in a relationship, married, it doesn't matter. What happens in fiction stays in fiction. Plus, book boys are almost always better than real ones.

Here's a short list of some of my favorite book boyfriends.

-Sam (from The Wolves of Mercy Falls series). The good boy. He's sweet, yet oh-so tortured. And loyal. Don't forget loyal. This boy would never leave you...unless it got really cold. Even then, totally not his fault.



-Noah (from Pushing the Limits). I've made no secret for my love of Noah since reading Pushing the Limits. He's the quintessential tamed bad boy. But his story is about so much more than himself. He has a goal other than landing Echo. He has a huge heart and two adorable little brothers he would do anything for.

-Cassel Sharpe (from The Curse Workers series). Cassel is never what you expect. His actions surprised me around every turn. He's my wildcard. I've only recently finished this series (for some reason I tend to let the final books in trilogies sit around for a while before I read them. I must have trouble saying goodbye.) and Cassel is still fresh in my mind. Holly Black, if you're out there, Cassel is one of the most twisted, unique, enigmas out there in YA fiction and I love him. If you're tired of the cookie-cutter hero, Cassel Sharpe is for you. Bonus: he's hot. Double bonus: if you listen to the audiobooks, Jesse Eisenberg does a fantastic (read: swoony) job that will never leave you bored or tired of his spectacular voice.

And now I have a problem. I'm out of book boyfriends!

Here is where you readers can do me a solid. Give me a list of your favorite book boyfriends! Don't worry, I don't mind sharing. ;)

Who would you love to be stranded on a desert island with, or face your greatest fear beside? I can't wait to hear who you swoon for.

The In Between Projects Shuffle

Personally, I'm in a good place. I'm engaged and have never been happier. Professionally, I'm in an okay place.

It's great. Things are going so well. Only...I have the tendency to let my imagination wander. Even when I'm working on a book (not under deadline) I'm thinking about another. Right now I have too many options swimming around in my mind to truly focus on one thing. Of course all of that will change when my editorial letter comes, but right now, complete and total focus is evading me.

Having six projects in your head all at one time is one of those blessing/curse deals. Sure, I have several projects to pick from. The problem is, a few of them want to take the forefront when it isn't their turn. My mind is switching back and forth between notes for revisions on book two, options for book three, possible revisions for two past projects that I desperately want to revise and submit, one shiny new idea, and one slightly older idea that I was beyond passionate about a year ago that I never got the chance to finish.

With so many ideas bouncing around up there, how am I expected to focus on just one thing? Admittedly, I am about the least organized person you've ever met, do you think cleaning up my act, so-to-speak, will help with this dilemma? Writers: how do you do it? Readers: how do you choose what to read next when I know you have a huge TBR stack beside you? People with steady jobs: how do you not let the little things distract you? How do you keep from bouncing around all over the place like a Pomeranian on crack?

Seriously guys. Help!

Pinterest, Instagram, And A Huge Surprise Or Two

Recently, I've let myself be swayed to the dark side. That's right, not only am I on twitter, facebook, and running this blog (which I swear I'm trying to update once a week), I also now have a pinterest and an instagram account.

I'm a very visual person, so to be able to post pictures, share them, and browse the huge databases for writing inspiration is really helping. I even have a writing inspiration board. Plus, a board for each of my books (though some are still secret). *wink wink*

Surprise number two is more of a personal one to me. If you're following me on twitter or facebook, then you probably already know what I'm about to say, if not, here it goes...

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That's right!

I'm engaged!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Sorry for the excessive exclamation points! I'm am so far beyond excited that it's like I've boarded a rocket ship and gone around the world. Twice.

That means The Best Boyfriend In The World is now The Best Fiancé In The World!






Thanks for sharing in my good news!

Getting to Know You

I'd like to take this moment to thank everyone who stopped by to critique my first 250 words of Shimmering Angels. I feel like every piece of input helped me polish it up a little more.

In Friday news, I am currently writing my fingers to the bone. For the first time in a long time I'm trying my hand at a short story and I'm really loving my MC's voice. She's driving me forward, hinting at her personality and her flaws, but right now I'm missing her goals. I could go with something easy, like she just wants to be normal, but I'm digging deeper. There's something inside her that she doesn't even know she wants yet.

Where am I going with this, you ask?

If you're a writer, you've probably heard this combination before: Goal, Motivation, Conflict. This threesome and I are no strangers.

Goals. To truly understand your characters you have to know what they want so desperately--and what they're willing to sacrifice for it. And to write a great book, you have to test these theories, strip away everything your characters hold dear, and flip their world on its ear.

Motivation. Understand why your character wants this, and show--not tell us about--it. Why does your thirty year old villain still suck his thumb when things don't go his way? Could it hint to a tramatic childhood event? Or could he simply enjoy making his rivals think this? Use this strange action to throw your hero off, or create empathy?


Conflict. Now that you know what your character wants and why they want it, twist the knife. Your hero and heroin have a strategic plan in place. Why let everything go smoothly when it's so much more fun to throw a wrench in the cogs? Add a little conflict. The villain knows your hero and heroin are coming and has his own trap ready. Or maybe hero plans to express his feelings to heroin, but heroin (thanks to her own goals and motivations) tells hero she's been lying to him and instead of just wanting villain dead, she needs to reclaim her husband's soul which is lost somewhere inside the villain's hideout.


Now we're getting somewhere. See what I mean about conflict adding more?


Now I'm off to create my own conflict.